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https://hdl.handle.net/2440/62517
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Type: | Book (edited) |
Title: | Mallarmé devant ses contemporains 1875-1899 |
Other Titles: | Mallarme devant ses contemporains 1875-1899 |
Publisher: | University of Adelaide Press |
Issue Date: | 2011 |
ISBN: | 9780980723076 |
Editor: | Hambly, P. |
Statement of Responsibility: | Author: Hambly, Peter S.; Book design: Céline Lawrence; Cover: John Emerson; Photograph of Mallarmé by Nadar courtesy of the Musée Mallarmé, France |
Abstract: | The enigmatic nature of Mallarmé’s works disconcerted his first readers and they were published at a period when the number of newspaper and periodicals was rapidly increasing. In the last quarter of the 19th century many comments on his writings appeared in print: some were laudatory, others claimed that he wished to found a poetic School of the Unintelligible. Today’s reader will find gathered here reviews published when individual works first appeared and critical texts his work in geral. Among the aspects of his influence on his contemporaries which have been little known hitherto are the reactions of those who heard the performances of Debussy’s Prelude to the Afternoon of a Faun in 1894 and 1895, and the use that was made of Mallarmé’s name in aesthetic and political polemics at the time, associating him with Odilon Redon or Émile Zola. Some of his utterances made at the celebrated Mardis are also recorded here. |
Subject: | Mallarmé, Stéphane, 1842-1898—Criticism and interpretation Mallarmé, Stéphane, 1842-1898—Influence French poetry—19th century—History and criticism |
Rights: | © Peter Hambly 2011. Copyright © 2011 The University of Adelaide |
DOI: | 10.20851/mallarme |
Published version: | http://dx.doi.org/10.20851/mallarme |
Appears in Collections: | Aurora harvest French publications University of Adelaide Press Publications |
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hdl_62517.pdf | Published Version | 1.86 MB | Adobe PDF | View/Open |
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