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Issue Date
Title
Author(s)
2021
Wenz reinvented: The making and remaking of a French-Australian transnational writer
Edwards, N.
;
Hogarth, C.
2021
An 'international author, but in a different sense': J.M. Coetzee and 'Literatures of the South'
Samuelson, M.
2021
“Une force qui va”: Reflections on Gérard Depardieu in Danton
McCann, B.
2022
Lessons in Survival: The De-funding of Restless Dance Theatre
Tonkin, M.
2020
Teaching ERPP to undergraduate STEM students in Chinese universities?
Cargill, M.
2022
Psychedelics, atheism, and naturalism: myth and reality
Letheby, C.
2022
Naturalistic Entheogenics: Précis of Philosophy of Psychedelics
Letheby, C.
2021
Bound, free and in between: a review of pronouns in Ngarrindjeri in the world as it was
Gale, M.A.
;
Amery, R.
;
Simpson, J.
;
Wilkins, D.
2022
The corporeality of sound: drag performance, lip-synching and the popular critique of gendered theatrics in Australian film and television
Cover, R.
;
Prosser, R.
;
Dau, D.
2022
Denise Varney, Patrick White’s Theatre: Australian Modernism on Stage, 1960–2018
Pender, A.
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Goldhahn, J.
9
May, S.K.
8
Letheby, C.
8
Taçon, P.S.C.
7
Amery, R.
7
Edwards, N.
6
Hogarth, C.
6
Hooton, M.
6
May, S.
5
Wesley, D.
.
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beauty
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Brazil
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imagination
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morality
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pleasure
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Social Science
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aesthetic reflective judgment
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36
2022
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2021
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2020