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PreviewIssue DateTitleAuthor(s)
2018Qiu Miaojin: the bittersweetJose, R.
2014Queen Victoria's Aboriginal subjects: a late colonial Australian case studyNettelbeck, A.; Tonkin, M.; Treagus, M.; Seys, M.; Crozier De Rosa, S.
2023Queer Influencers: Hujar and WarholFlanery, P.
2012Queering the mainstream: The Slap and 'middle' AustraliaTreagus, M.
2008Questions for LightLeti, B.; Jones, J.
2001Re-imagining Africa: New critical perspectivesKossew, S.; Schwerdt, D.
1994Re-inventing the centre in the marginal spaceSchwerdt, D.
2014Re-telling freedom in Otelo Burning: the beach, surf noir, and Bildung at the Lamontville poolSamuelson, M.
2014Re-visiting the Victorian subjectTonkin, M.; Treagus, M.; Seys, M.; Crozier-De Rosa, S.; Tonkin, M.; Treagus, M.; Seys, M.; Crozier De Rosa, S.
2014Reading and receptionCrouch, D.; Rutherford, J.; Elliott, A.
2021Reading each other: China and AustraliaJose, R.; Madden, B.; Jose, N.; Madden, B.
2007Reading the elusive letter of the law: policing the South Australian frontierNettelbeck, A.; Foster, R.
2011Reading Zoë Wicomb's cosmopolitan, domestic and recursive settingsSamuelson, M.
2016Recomposing the humanitiesMuecke, S.; Latour, B.
2021Regarding Lady Precious Stream: a theatrical translationJose, R.; Gerber, L.; Qi, L.
2008Regeneration: time, place and gender in fin-de-siècle utopian narrativeBoumelha, P.
2003The Regenerative Spirit - Volume 1: Polarities of home and away encounters and diasporas in post-colonial literaturesBierbaum, N.; Harrex, S.; Hosking, S.
2016Rendering the Cape-as-port: Sea-Mountain, Cape of Storms/Good Hope, Adamastor and local-world literary formationsSamuelson, M.
1998Renegotiating the Australian legend: 'Khe Sanh' and the Jimmy Barnes stage personaTreagus, M.
1999Representation, power and genre in The PianoButterss, P.