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Adelaide Research & Scholarship
Adelaide Research & Scholarship
Browsing "Theses" by Advisor Carroll, Mark Stephen
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Showing results 13 to 29 of 29
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Issue Date
Title
Author(s)
2012
The impact of technology on the role and function of the bass in jazz
Dowdall, Peter Robert
2015
Improvising with words: a drummer’s perspective on the integration of recorded speech with jazz performance – a portfolio of recorded performances and exegesis
Neville, Stephen Patrick
2017
The integration of Carnatic rhythmic devices into contemporary jazz performance: a framework for improvisers
Gray, Lyndon Robert
2017
Music in the life and work of Patrick White
Plush, Vincent Patrick
2014
North meets South - East meets West: a personal accommodation of divergent aesthetic, cultural and technological compositional approaches: a portfolio of four compositions and exegesis.
Brophy, Gerard Norman
2011
On the development of an interface framework in chipmusic: theoretical context, case studies and creative outcomes
Tomczak, Sebastian
2015
On the shoulders of giants: Bechet, Noone, Goodman and the efflorescence of jazz clarinet and the improvised solo
Hunt, Jonathan Robert
2012
A performer's perspective on the evolution and realisation of extended flute techniques : a portfolio of recorded performances and exegesis.
Moorhead, Kathryn Emma
2014
Phrasing and polyrhythm in contemporary jazz guitar: a portfolio of recorded performances and exegesis.
Angus, Quentin
2013
Portfolio of compositions and exegesis: an investigation of the expressive quality of six aspects of form.
van Konkelenberg, Joshua Marc
2015
Pragmatism and in-betweenery: light music in the practice of Australian composers in the postwar period, c.1945-1980
Koehne, James Philip
2017
The realization of extended performance practices in selected works for piano by Frederic Rzewski: a portfolio of recordings and exegesis
Hribar, Ashley
2009
Replacing patterns : towards a revision of guitar fretboard pedagogy.
Elmer, Colin
2016
The role of the bass in pianoless jazz ensembles: 1952-2014
Stedman, Nikki Joanna
2010
Still and moving lines: listening and signification in sound art.
Louth-Robins, Tristan
2016
Tradition and innovation in the drumming of Airto Moreira: a portfolio of recorded performances and exegesis
McDermott, John Steven
2017
Unlocking the pedagogical potential of Alfred Uhl’s 48 Etüden für Klarinette: a portfolio of recorded performances and exegesis
Handsworth, Peter John