Please use this identifier to cite or link to this item: https://hdl.handle.net/2440/121728
Type: Thesis
Title: The Femme Fatale: theorising female power and subjectivity in Margaret Atwood's Alias Grace and The Robber Bride
Author: Kulperger, Shelley
Issue Date: 1998
School/Discipline: School of Humanities: English & Creative Writing
Dissertation Note: Thesis (B.A. (Hons)) -- University of Adelaide, School of Humanities, 1998
Provenance: This electronic version is made publicly available by the University of Adelaide in accordance with its open access policy for student theses. Copyright in this thesis remains with the author. This thesis may incorporate third party material which has been used by the author pursuant to Fair Dealing exceptions. If you are the owner of any included third party copyright material you wish to be removed from this electronic version, please complete the take down form located at: http://www.adelaide.edu.au/legals
Appears in Collections:School of Humanities

Files in This Item:
File Description SizeFormat 
Kulperger1998_Hons.pdf16.38 MBAdobe PDFView/Open


Items in DSpace are protected by copyright, with all rights reserved, unless otherwise indicated.