Please use this identifier to cite or link to this item:
https://hdl.handle.net/2440/121301
Type: | Thesis |
Title: | Across the South: The origins and development of the steel guitar in western swing |
Author: | Cundell, Roger Guy Scott |
Issue Date: | 2019 |
School/Discipline: | Elder Conservatorium of Music |
Abstract: | In the early 1930s, the steel guitar, a Hawaiian invention of the late 19th century, was adopted by musicians in an emerging form of dance music known as western swing, a subgenre of country music. The design of the newly amplified instrument and the style of its players underwent continual change as the music of the genre evolved. However, in the 1950s, as the popularity of western swing declined, the steel guitar was completely supplanted by the pedal steel guitar and a new stylistic approach that it enabled. Through transcription and analysis the study offers new perspectives on what have been anecdotal observations surrounding the various stages in development of the steel guitar between 1935 and 1955. |
Advisor: | Carroll, Mark Knopoff, Steven |
Dissertation Note: | Thesis (Ph.D.) -- University of Adelaide, Elder Conservatorium of Music, 2019 |
Keywords: | Steel guitar lap steel guitar western swing country music jazz Hawaiian steel guitar |
Provenance: | This electronic version is made publicly available by the University of Adelaide in accordance with its open access policy for student theses. Copyright in this thesis remains with the author. This thesis may incorporate third party material which has been used by the author pursuant to Fair Dealing exceptions. If you are the owner of any included third party copyright material you wish to be removed from this electronic version, please complete the take down form located at: http://www.adelaide.edu.au/legals |
Appears in Collections: | Research Theses |
Files in This Item:
File | Description | Size | Format | |
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Cundell2019_PhD.pdf | Thesis | 15.57 MB | Adobe PDF | View/Open |
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