Please use this identifier to cite or link to this item:
https://hdl.handle.net/2440/108790
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Full metadata record
DC Field | Value | Language |
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dc.contributor.author | Samuelson, M. | - |
dc.date.issued | 2011 | - |
dc.identifier.citation | Current Writing: text and reception in southern Africa, 2011; 23(2):88-92 | - |
dc.identifier.issn | 1013-929X | - |
dc.identifier.issn | 2159-9130 | - |
dc.identifier.uri | http://hdl.handle.net/2440/108790 | - |
dc.description.abstract | To read Zoë Wicomb is to engage simultaneously with a ‘citizen of the world’ and a ‘provincial writer’. Moving between cosmopolitan and domestic settings, or setting in motion recursive structures that enfold the cosmos in the domestic and the domestic in the cosmos, Wicomb takes up the retelling of Cape hi/stories and cosmopolitan visions, presenting us with “another story” of what it might mean to be simultaneously local and worldly. Saturated with textual recursion and uncanny figures, her fictional settings advance and invite renewed analysis of domestic and/or cosmopolitan conditions. | - |
dc.description.statementofresponsibility | Meg Samuelson | - |
dc.language.iso | en | - |
dc.publisher | Taylor & Francis | - |
dc.rights | © 2011 The Editorial Board, Current Writing | - |
dc.source.uri | http://dx.doi.org/10.1080/1013929x.2011.602903 | - |
dc.subject | Wicomb’s fiction; the Cape; cosmopolitan; home; recursion | - |
dc.title | Reading Zoë Wicomb's cosmopolitan, domestic and recursive settings | - |
dc.type | Journal article | - |
dc.identifier.doi | 10.1080/1013929X.2011.602903 | - |
pubs.publication-status | Published | - |
dc.identifier.orcid | Samuelson, M. [0000-0002-5070-1046] | - |
Appears in Collections: | Aurora harvest 8 English publications |
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RA_hdl_108790.pdf Restricted Access | Restricted Access | 189.41 kB | Adobe PDF | View/Open |
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